She thought that even then God might reconsider it—see her point of view. Perhaps He would send her a sign. Madame Lelanne must have carried her down the ladder. She was standing in the yard, and the dust was choking her. Across the street, beyond the ruins of the hospital, swarms of men were running about like ants when their nest has been disturbed. Some were running this way, and some that. And then they would turn and run back again, making dancing movements round one another and jostling one another. The guns had ceased; and instead, it sounded as if all the babies in the world were playing with their rattles. Suddenly Madame Lelanne reappeared out of the dust, and seizing Joan, dragged her through a dark opening and down a flight of steps, and then left her. She was in a great vaulted cellar. A faint light crept in through a grated window at the other end. There was a long table against the wall, and in front of it a bench. She staggered to it and sat down, leaning against the damp wall. The place was very silent. Suddenly she began to laugh. She tried to stop herself, but couldn’t. And then she heard footsteps descending, and her memory came back to her with a rush. They were German footsteps, she felt sure by the sound: they were so slow and heavy. They should not find her in hysterics, anyhow. She fixed her teeth into the wooden table in front of her and held on to it with clenched hands. She had recovered herself before the footsteps had finished their descent. With a relief that made it difficult for her not to begin laughing again, she found it was Madame Lelanne and Monsieur Dubos. They were carrying something between them. She hardly recognized Dubos at first. His beard was gone, and a line of flaming scars had taken its place. They laid their burden on the table. It was one of the wounded men from the hut. They told her they were bringing down two more. The hut itself had not been hit, but the roof had been torn off by the force of the explosion, and the others had been killed by the falling beams. Joan wanted to return with them, but Madame Lelanne had assumed an air of authority, and told her she would be more useful where she was. From the top of the steps they threw down bundles of straw, on which they laid the wounded men, and Joan tended them, while Madame Lelanne and the little chemist went up and down continuously. Before evening the place, considering all things, was fairly habitable. Madame Lelanne brought down the great stove from the hut; and breaking a pane of glass in the barred window, they fixed it up with its chimney and lighted it. From time to time the turmoil above them would break out again: the rattling, and sometimes a dull rumbling as of rushing water. But only a faint murmur of it penetrated into the cellar. Towards night it became quiet again.!

“I shouldn’t have recognized you,” laughed Joan. “What was the occasion?” “But now I’m thirty-five; and I couldn’t love you if I tried.” She shook her curls at him. “It isn’t your fault. It is that I have changed. Suppose I’d married you?”

She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness. Beauty worshipped as religion; ugliness banished as a sin: no ugly slums, no ugly cruelty, no slatternly women and brutalized men, no ugly, sobbing children; no ugly vice flaunting in every highway its insult to humanity: a city clad in beauty as with a living garment where God should walk with man. He nodded. “I thought you were an artist,” he said. “Don’t let them ever take your drum away from you. You’ll go to pieces and get into mischief without it.” “But I’ve won,” she said. “I’m dying further forward. I’ve helped advance the line.”